Just literally bridges. I thought of all sorts of ways in which to interpret the challenge, but when I started looking through my photos I decided to go with the obvious. It’s too hot for serious thinking today, so here is a selection of some of my favourite bridges.
Above – Sur le Pont d’Avignon
Amsterdam, Triana Bridge Spain, and Ponte Vecchio Florence, Italy
Rome, Italy: Pisa, Italy: and the famous painted bridge at Lucerne, Switzerland
La Somail, France, Linked houses in Strasboug, Williamstad, Curaco from our cargo boat.
The Daddy of them all – the bridge at Avignon, France.
Palermo is like nowhere else in Europe. It’s a crazy, chaotic, crumbling city with a vibrant life that has led it to defy the Mafia, the last in a line of exploiters bent on conquering and subduing the spirit of its people. Every neighbouring power at one time or another. has occupied this island that lies at the crossroads of the Mediterranean, with the result that it offers the visitor a heady mixture of aromatic Arabic food served in tiled restaurants that hark back to Spanish invaders, and stunning architecture and artefacts from Greek and Norman periods. All this in streets lined with crumbling buildings, visual proof of the Italian Government’s neglect of a region for which it seems to have no respect.
View from the Cathedral by Solange Hando
We all think we know Palermo from years of watching films like The Godfather (in all its parts), and Scarface, but the films have never shown the beauty of the baroque palaces, the marble statues that are public art, the beauty of the bay at sunset and the tranquillity of the surrounding countryside.
Outdoor Art in Sicily – Photo Mari Nicholson
The façade of the Teatro Massimo, the magnificence of the Cathedrale at Monreale, five miles south of the city, with its fabulous mosaics brought to Sicily from Byzantium, and the hidden beauties of the marble Serpotto Cherubs in the Oratorio del Santissimo Rosario, are Palermo at its best. At its worst are the alleys strewn with litter, the almost feral children that chase each other around the stalls in the markets, itinerant sellers of silver jewellery and leather belts who accost you at tourist spots, and neighbourhoods filled with ghosts.
Teatro Massimo In Piazza Verdi, Palermo – Photo Mari Nicholson
Italy in the raw is on every Rococo street corner, the Italy of Andrea Camilleri’s Inspector Montalbano (he operates in a different region of Sicily but the sense of his world is here). Stand in the Piazza Verdi opposite the Teatro Massimo, Europe’s third largest opera house, and look towards the steps of the theatre on which the final scene of The Godfather III took place, and I defy you not to hear the swelling music of Cavalleria Rusticana and hear the howl of anguish from Al Pacino as his beloved daughter died in his arms.
But it is in its streets that the real Palermo, and Sicily, is revealed and in its boisterous street markets with their mixture of fresh food, dusty shoes and lurid outerwear vying for your attention with the fast-food stall, the fresh orange-juice seller and the suspect ‘antiques’. Crumbling baroque facades look down on this carnival of life which attracts the rich and poor of the city.
The Orange Juice Seller, Palermo, Sicily – Photo by Mari
Despite advances made by the justice system and the reverence in which Giovanne Falcone and Paolo Borsellino are held (the two Judges gunned down by the Sicilian Mafia in 1992) the honoured society is still a reality in Palermo. Its presence is a burden the Sicilians have had to bear for many years because few were prepared to defy the demands of the organised crime ring and, let’s face it, it dispensed a type of justice, the only sort on which the poor could rely.
Herb Stall in Palermo Market, Sicily – Photo by Mari Nicholson
Yet by the end of the 20th century and as a result of the assassination of the two popular judges, the Sicilians began to challenge the status quo. Led by Rita Borsellino, sister of the assassinated judge, a native of Palermo and anti-Mafia activist, an anti-Mafia movement, Libera, was formed. Now another movement called Addiopizzo, meaning ‘goodbye to protection payments’ is operating but this movement is trying to involve tourists for the good of the city.
Addiopizzo was founded in 1994 by a few young restaurateurs who had a vision of a Sicily where the Mafia did not control all sectors of the economy and where businesses of all sizes could keep 100% of their profits.
This organisation has now moved into offering anti-Mafia tours and accommodation and lists of bars and restaurants are available where it is guaranteed that the owners are refusing to pay protection money. Addiopizzo offers walking and cycling tours, car hire and accommodation, and can even arrange a tour to Corleone.
Addiopizzo could be the saviour of Palermo and the means by which the people’s pride and their strength to resist the corruption which has ruined their city, could be resurrected. I personally, can highly recommend all their tours and the walk around Palermo is truly an eye-opener.
In the midst of the chaos, the crumbling architecture, the fading grandeur and beauty of its palaces and mansions, the city has a vibrancy not felt in any other city in Italy. It has a life of its own, a language of its own, and it has art spilling out on to the streets. Go see for yourself, and when you’re there, do support ADDIO PIZZO.
No use telling the world that Hamlet is not autobiographical as approximately 200,000 people beat a path to Kronberg Castle in Denmark every year. Shakespeare set the fictitious story in Elsinore Castle and it is presumed that this was Kronborg Castle which has existed since 1420 and is considered to be one of Europe’s finest Renaissance castles.
Elsinore (Kronberg Castle) – WikiCommons
Despite being burned to the ground twice, Kronberg has continued to maintain its vital position at the head of the Øresund Sound. Ships passing into the Baltic Sea used to pay tolls at the Castle and Helsingør (the Danish translation of Elsinore) was once one of the most important towns in Europe.
Shakespeare’s evocative imagery, the dramatic story, and the play’s worldwide popularity means that thousands of people visit Kronborg Castle every year. A UNESCO World Heritage Site since 2000, the dingy catacombs and graceful towers have become synonymous with the doomed Prince Hamlet. Guided tours are offered in June, July and August, but the best time to visit, if possible, is during the annual Shakespeare festival in August.
From Copenhagen the journey takes less than 45 minutes or the “Hamlet” ferry takes passengers from Helsingborg, Sweden through the narrow strait.
MERCHANT OF VENICE – Venice
Italy was one of Shakespeare’s favourite locations in which to set his plays. Venice, which provided the setting for the story of Antonio, Bassanio and Portia in The Merchant of Venice, is still one of Italy’s glories, its beauty still breath-taking when approached from the sea, and its treasures among the greatest in Italy.
The ghettos may have gone, but this famous port city is still exceptionally atmospheric. It’s hard not to have flashbacks to scenes from the 1973 Nicholas Roeg film Don’t Look Now if you are strolling around Venice as dusk falls.
Take a gondola to Palazzo Ducale and explore the former wine bars, cafes and churches, visit some of the art galleries, relax on a boat ride to the outer islands and when the sight-seeing has exhausted you, take the canal trip down to Padua. But, for some quiet time to think about the play, you will have to visit in winter – the only time the tourists don’t visit in their thousands. With four or five giant cruise ships docking most days, Venice is in danger of losing all character and the world of Portia and Shylock may become a thing of the past. It’s impossible to see Venice properly during the day, for that you have to wait until the cruise visitors have returned to their ships when you are no longer forced to dawdle behind them as they crowd the streets in groups with their cameras on sticks held high, desperate to get the photograph that may serve as an aide memoire when they return to their cocooned cruiser.
If I can paraphrase, it must be Venice, there’s a gondola in my photograph.
MEASURE FOR MEASURE – Vienna
One doesn’t associate Austria with Shakespeare yet for some reason he set one of his plays in Vienna, a Vienna that is not recognisable today but that has some similarities with the Vienna that existed immediately after the Second World War when it was a city divided between the four powers, Britain, France, Russia and USA.
Concert Hall in Vienna – Mari Nicholson
Measure for Measure is set in a Vienna whose streets and taverns are teeming with criminals, prostitutes and pimps, not one we would recognise today. This problem play offers us the purity of the city that was Austria’s cultural crown jewel, long hailed for its art, architecture and intellectuals as a city that has to balance purity with la vie bohème; the old with the new. Often referred to as one of Shakespeare’s problem plays, its text has often been altered to suit the mores and morals of the period in which it was performed.
Most of the action takes place in the Duke’s palace, in the city prison and in the streets of Vienna. The play’s main themes include justice, “mortality and mercy in Vienna,” and the dichotomy between corruption and purity: “some rise by sin, and some by virtue fall.”
Today’s Vienna is more about Strauss than sin, Mozart rather than mayhem.
There is little to remind you of Measure for Measure but Vienna boasts Shakespeare Garden, a space dedicated to the flora and fauna in his works, a pleasant place to spend a little time. Then maybe light a candle at the gothic St Stephen’s Cathedral and enjoy the quintessential coffee and cake at Hotel Sacher where you will have to join a queue for perhaps 20 minutes in order to get a seat and a piece of that cake – Sacher torte – but it’s worth it.
Have a traditional night out at the Viennese Opera before heading to a trendy bar in Freihaus or to a restaurant for the perfect Weiner Schnitzel. Shakespeare would have loved it I bet.
Looking through my photographs one evening last week and re-assigning some to other folders, I realised that many of them have attachments to Shakespearean locations, so I thought I’d put a few up on Travels with my Camera today.
ROMEO and JULIET – Verona
Juliet’s Balcony – Mari Nicholson
First up, one of my favourite Italian cities, Verona, a favourite because of the operas that are performed in the vast Roman amphitheatre, it’s proximity to Lake Garda and the Dolomites, and the wonderful herb market I remember from my last visit. Verona is actually the setting of three of the Bard’s plays but it is the Casa de Giulietta that is now a place of pilgrimage for young lovers because of Romeo and Juliet. The walls are covered with love notes which all get a reply from a volunteer in the Juliet Club which operates from the premises.
Verona is a town worth seeing even if you are not interested in visiting Juliet’s house (and let’s face it, it is fiction after all!) and the Renaissance houses and beautiful squares make one want to linger at the sidewalk cafes. The evening passagitta is still a big occasion in Verona, and young and old can be seen dressed in their finest clothes, partaking of ice cream and cafes as the sun goes down on the golden stones of this lovely place.
LOVE’S LABOUR LOST – Navarre
Wild Ponies on the Mountains in Navarre – Mari Nicholson
Navarre in Norther Spain is the setting for the fantastical Love’s Labour Lost, and although Shakespeare probably had no knowledge of this area during the writing of the play, its rolling pastures and fertile valleys seem a perfect setting for the work. Navarre is home to the famous bull run in Pamplona during the San Fermin fiesta in July, but it has a quieter side also and is famous for its Gregorian chant in its monasteries, its beautiful Pyrennean cows and wild horses, its National Parks, Botanic gardens, and its old traditions which are still kept. One of these is the fast game of Pelote which you should see if you get a chance.
The autumn colours are eye-wateringly beautiful and a perfect contrast to the coastal houses which are painted either green and red or green and white. The wines are exceptional and less well known than most other Spanish wines (and they have a wide range of organic wines as well). The population speaks Basque and the language is not easy to read – especially if you are driving – but Spanish is widely spoken everywhere.
I first visited Famagusta when it was in the Greek-controlled part of the island of Cyprus and if I remember correctly, the Turks lived in the area where the castle (now named Othello’s Tower) stood. Since the war there and the division of the island, Famagusta is under Turkish control in Northern Cyprus, but can still be visited from all parts of the island.
The land of Aphrodite and the tourist towns of Limassol, Paphos and Larnaca are hard to reconcile with the turbulence and the tragedy of Othello. yet drive into the mountain villages, or sit awhile and look at the seas around the island, and the story seems all too plausible – especially if you have visited Venice beforehand.
Cyprus is an island that can be visited at any season, although if you want heat, summer is best: it is also the time to experience the Greek Drama festival and the many flower festivals in the villages. It has a thriving winter season, however, a time when walking and hiking take precedence and enjoy winter sports in the Troodos Mountains. Food is always something to look forward to in Cyprus, as are the local wines and the many different honeys.
I feel if Othello had indulged more in the sensual delights of the island and listened less to Iago, Desdemona’s life may have been spared.
THE COMEDY OF ERRORS – Ephesus, Turkey
Ephesus – Mari Nicholson
Ancient Ephesus is the setting of the Bard’s shortest play, about twin brothers separated at birth. It is also considered the apex of the Roman-Greco Empire and it is still open to visitors to wander among the ruins of the fallen empire, from the Corinthian-style Temple of Hadrian to the glorious Library of Celsus, to the brothel, which it is said had connecting underground tunnels to the rooms Much of the city is still to be excavated, but the solitary structures that remain showcase its former capital splendour.
There is little in the nearby town but there are a lot of ruins and excavations to see, including the house where it is thought that the Virgin Mary lived. Izmir is about 30 km. away (about an hour’s drive) and for those who wish to combine a relaxing resort holiday, the popular Kusadasi is a mere 19 km. away. Istanbul lies about 650 Km away and trips can be arranged from there, but it needs a good 3 days to do it in comfort.Although flights are advertised they are not recommended.
I’ve given up trying to cook artichokes as sampled in Rome and I’m feeling very cross with myself. I never fancied myself as a great cook but I am a fairly good one, but artichokes have beaten me.
I’ve always liked them but always bought them in tins or jars. Then I went to Rome in May when the artichoke season was at its height and every restaurant and trattoria was serving them in ways I’d never even thought of and I OD’d for a week on this king of the vegetable world. In fact, it’s called the 8th King of Rome in that city.
It’s scientific name is cynara acolymus and it was named after Zeus’s former lover who betrayed him and was transformed into a prickly plant in revenge, but its etymological root comes from the Arabic alkaharshῡf. As it grew in popularity from being a food of the poor to one much sought after by the rich, it’s shape was appropriated by architects who used it to adorn various buildings, Chartres Cathedral being one.
The Purple King of Vegetables for the Romans. A restaurant display – Mari Nicholson
Outside one of Rome’s Artichoke Restaurants. A nice display of the offerings to be had inside – Mari Nicholson
The Italian artichoke usually has dark purple leaves and is eaten as an appetiser, in pastas, and as a vegetable with meats and fish. It can be boiled, fried, roasted, steamed, sautéed, or marinated and I will gladly eat it any which way! In Rome I usually had it “cariciofa alla giudia” which I was told is an ancient Jewish method from the 16th century and entails the vegetable being deep-fried twice. That flavoursome oil dripping down one’s chin. Decadent, I know, but delicious.
Restaurant Window in Rome – Mari Nicholson
My favourite restaurant for this appetiser (I reckon 3 makes a good starter) is Trattoria da Giggetto to which the concierge at my hotel directed me, saying that it had been serving up the artichoke for three generations. The secret, so the waiter told me, was to open the artichoke leaves like a flower and to cook it first in boiling oil before roasting it for a little and then deep-fryng again. Labour intensive, yes, but sheer heaven when you taste it.
I tried. I deep-fried, then I roasted, then I deep-fried again and all I got was an oily vegetable that bore no resemblance to the ambrosia I had partaken of in Rome. There’s only one thing for it. I shall have to return next May and eat it every night as I did this year and try and wangle an invitation into the kitchen to see how it’s really done.
Prepared Artichokes for Sale from a Stall in Rome – Mari Nicholson
Castell Sant’Angelo across the Tiber – Photo Mari Nicholson
The Tiber has been the soul of Rome since the city’s inception, and it could be said that Rome owes its very existence to this strategically important river on whose banks the first settlements were built. The two sides of the river are joined by more than thirty bridges, creating a fascinating setting for the archeology and history of the eternal city.
Several of the old Roman bridges no longer exist, in Papal Rome and in the modern city seven were built in the 19th century and ten in the 20th century.
The Tiber (named after Tiberius who drowned in the river) is unlike rivers like The Danube, The Seine or The Thames as there is little activity on the water. In the summer, various boats convey tourists along the stretch of the river, but in general, it seems underused. However, along the Lungotevere, the boulevards that run alongside it, human traffic always seems to flow.
Flooding was a regular occurrence before the high embankments were built in the 19th century when there were houses located along the banks of this navigable river which was used for fishing and bathing. Over time, however, silting and Photography 101: Connectsediment build-up meant that the river became unsuitable for navigation.
Looking down to Cavour Bridge, Rome
As in other cities such as Bangkok, Seville, London and Paris, tour boats were introduced along the river to give locals and tourists a unique opportunity to view the city. This is a great way to take in the panorama, and immerse yourself in one of the most evocative cities in the world.
A stroll along the Boulevard is also a favourite pastime and a visit to Castell Sant’Angelo and the Jewish Ghetto and Synagogue, which are both situated along the Tiber can be combined in a “Tiber walk”. There are many restaurants, cafes, and bars down by the river so sustenance is not a problem: these are very noticeable at night when the warm lights from their windows illuminate the Boulevards.
The Tiber, Rome – Mari Nicholson
Whether you opt for a dinner cruise, a daytime hop-on-hop-off cruise, or a private jaunt, along the way you can admire the great Palace of Justice, designed by William Calderoni; Sant’Angelo Castle, one of the oldest monuments of Rome; St. Peter’s Basilica, Tiberina Island, a picturesque island linked by one of the most famous bridges in the city, and the innumerable bridges that span the Tiber.
Ponte Sant’Angelo Looking towards the Castle – Mari Nicholson
When the surface of the Tiber is calm and the monuments that span the river are reflected in the still waters, they increase one’s delight in the vista they offer across Rome. Ponte Sant’Angelo (by the castle of the same name), Ponte Fabricio, Ponte Rotto, Ponte Garibaldi, they all offer a sense of the history of the city.
The first named, Ponte Sant’Angela is the most spectacular, being embellished with angels carrying the instruments of Christ’s passion, and was designed by Gian Lorenzo Bernini whose fountain in Piazza Navona is one of the most photographed in Rome.
The Ponte Sant’Angelo was erected to ease the movement between the Vatican (which was also connected to the Castell Sant’Angelo) and the commercial area across the river.
The Vatican City is the only zone controlled by the papacy today, but in earlier centuries papal dominion was exercised over the entire city, hence the need for easy connection with the commercial area of the settlement. Three energetic popes, Urban VIII (1623–44), Innocent X (1644–55), and Alexander VII (1655–67), harnessed the versatile talents of the great artists nd sculptors of the day to build monuments and beautify areas all over Rome but especially in the Vatican area.
A walk along the Tiber, and then up the imposing obelisk and olive-tree-lined road to the Vatican is an exercise in itself and you can be forgiven if you decide to postpone visiting St. Peter’s Basilica and the Vatican Museum until another day. It can take a long time to do justice to them both. A trip to the top of St. Peter’s is a worthwhile exercise but be warned, there are many steps to the top. A lift goes part way only.
Part of Bernini’s Magnificent 4-Rivers Fountain in Piazza Navona – Photo Mari Nicholson
How to get there: Ponte Sant’Angelo: Metro Line A, Lepanto stop. Boats leave from nearby. Buses 23, 34, 40, 49, 62, 280, 492, and 990. Tram 19.
Took me a while to think about some landscapes, and unfortunately, I was unable to get out and about to photograph some, so here is a selection of some of my favourites.
This was taken on a fairly good day in Chicago from the top of the famous landmark, the Sears’ Tower. The skyline is probably more impressive from ground level, but I found the view from above quite exciting. See another Chicago photo, bottom.
Citiva is in Lazio Province, within driving distance of Siena, Rome. and Orvieto. Inside the mountain fastness is a quaint old town of cobbled stoned streets, a couple of good restaurants serving rustic food, and a Bodega where the wine flows very liberally.
This was taken from a cable car as we floated over the mountains in Switzerland. I seem to remember that it was quite a long cable-car trip, longer than most I remember. It was a magical journey over the mountains and villages below, the brown and white cows hardly visible and their cowbells muffled by the distance.
One of my favourite places in Sicily, the National Park of Madonie, where wild figs grow along the roadside and just a few locals are left in near-deserted villages to sit outside their doors and chat to whoever passes by. Now and again one sees a thriving village like this one, which is being slowly restored to its former glory by returning families who have made some money working elsewhere and now are coming home to reclaim their birthright.
Having difficulty in keeping up with the daily stint and due to other work commitments am not free to wander out and about with camera. Frankly, even if I were, the bitter cold is enough to prohibit my photography excursions, as I find cold hands do not for good photos make!
I have just returned from Rome and when I saw BIG, the one thing that sprang to mind was the Colosseum, that massive elliptical shaped theatre of blood lust and killing, where in the first hundred days of the inauguration games in 81AD, it is said that over 9,000 wild animals were slaughtered. During another festival in 240 AD 2,000 gladiators, 70 lions, 40 wild horses, 30 elephants, 30 leopards, 20 wild asses, 19 giraffes, 10 antelopes, 10 hyenas, 10 tigers, 1 hippopotamus and 1 rhinoceros were slaughtered. In fact, so many wild beasts were killed in the Roman arenas that some exotic animals became virtually extinct.
Here are a few of my images of that iconic spot in Rome. Maybe I haven’t covered point of view so well, but I hope you will enjoy the perspective anyway.
N.B. It is generally accepted that the Ridley Scott film The Gladiators is a very true depiction of what the Colosseum arena looked like in those days as the research was meticulous.
Connections between rooms in castles are well documented, less well known is the connection between the Castel Sant’Angelo in Rome and the Vatican City.
The Castel of Sant’Angelo, the massive fortress-like building on the right-hand side of the Tiber, was originally built by the Emperor Hadrian (117-13 AD), as a monumental tomb for himself and his successors, not far from the Mausoleum of Augustus near the edge of the Vatican fields.
By the 5th Century, the Mausoleum had been included in the defensive system of the city walls, and from the 10th century onwards it had become a fortress, the Castel Sant’Angelo, its purpose being to defend the Vatican, to which it was linked by a special passageway (the Connect). Originally the Mausoleum was surmounted by a gilt bronze statue of the emperor in a chariot.
Below is a photograph taken from the cupola of St.Peter’s at the Vatican and the Castell is quite some way from it, on the left-hand side just beyond the patch of dark green trees that can be seen.
Looking down from St. Peter’s, Vatican City.
Looking Down from the Cupula of St. Peter’s in the Vatican, towards the Castel S Angelo. Photograph Copyright Solange Hando.
The Mausoleum was incomplete when Hadrian died but he was buried there one year later in 139 AD. The bridge connecting both sides of the Tiber had been built by Hadrian to facilitate direct access to the tomb, a more elaborate bridge than any other Roman bridge at that time: it survived until the end of the last century by which time it had become known as the Ponte Sant’Angelo. The two end spans were rebuilt at the end of the last century and only the three central arches are originals from the period 130-134.
Ponte Sant’Angelo, Rome: Photograph copyright Mari Nicholson
I was away last week but managed to log on to my tablet and saw that the subject was Street. I hope I’ve got this right because I cannot now remember how to get the rest of the week’s Photo Challenge words up. I thought they were to be emailed to me, obviously I’ve got it wrong. I’ve gone into Photograph 101 but all I see there is the Weekly Photo challenge and Daily Prompt Word, so if anyone can steer me in the right direction I’d be obliged.
So, hope I’m right about last Tuesday’s subject being Street, and here are two from Rome.