In Spain for this Baroque Sculpture at the Casa de los dos Aguas in Valencia, the home of the Marquises of the same name. This mansion is now the home of the National Museum of Ceramics and Decorative Arts, and is located in one of the most central locations in the city, a Rococo nobility palace.
The interior is equally impressive, if not quite so ornate but I am always overwhelmed by the entrance which was made in 1745 and has reference to the two rivers of the Valencian community, the Turia and Jucar which are represented by two naked figures and the two urns of water at their feet, reference to the title of the Marquises (los dos aguas).
On one side are two crocodiles, a quiver of arrows and the water pouring from the vessel. On the other side is a reclining lion, another quiver of arrows and the representative vessel pouring water. I’ve enlarged only one of them (see below) just to show some of the detail without you having to click on the enlarging feature.
In the centre of the entrance is an image to the Virgin of the Rosary, patron saint of the House of Dos Aguas and at her foot kneel two women, one with a cornucopia of fruits and the other with a vessel from which pours coins. The whole is a riot of voluptuousness in true Rococo style. The virgin is a plaster copy made in 1855 as the original work disappeared at the end of the century previous.
The Museum is a worthwhile place to visit but if there is no time, the building of the Palacio de los dos Aguas is right in the centre of town and you can stand outside and look at it for free!
And one of the side panels in all its glory: