Category Archives: Famous Men & Women

New Orleans: Tennessee Williams Festival

In With a Shout.

One of the Apps on my computer offers what it calls Memories. It flags up a photo taken on the same date years before. A few weeks ago, the photograph was one taken some years back at the Tennessee Williams Literary Festival in New Orleans.

My photo was one taken at a very quirky part of that festival – the ‘Stella Shouting Contest’ – a homage to A Streetcar Named Desire and the character of Stanley Kowalski, the hero/antihero of the play.

Image from Wikicommons

The Stella Shouting Contest in New Orleans

Stellllllaaaaa! Stellllllaaaaa!”

The cry reverberates around the French Quarter of New Orleans and the crowd jostling in the packed courtyard applauds. From the balcony above, Stella waves to the damp-haired man in the sweat-stained shirt below who blows kisses to the crowd as the next tee-shirted Stanley steps forward to chance his luck at outshouting the other participants.

For this is the Stella Shouting Contest, part of the Literary Festival, held for nearly 40 years in honour of New Orleans’ favourite playwright, Tennessee Williams. The Stella contest pays homage to his classic A Streetcar Named Desire and for the last three decades or so, the primal screams of wannabe Stanley Kowalskis have been echoing around the magnolia-laden French Quarter to mark the Festival.

A Streetcar Named Desire

“They told me to take a street-car named Desire, and transfer to one called Cemeteries, and ride six blocks and get off at Elysian Fields”, says Blanche when she arrives at the house in which her sister Stella lives with Stanley.

Williams used the title metaphorically: there was no street-car named Desire trundling along the tramlines to Stella’s house, but there was, and is, Elysian Fields Avenue, and the name is forever linked to the steamy tragedy of Stella, Stanley and Blanche.

Image from Wikicommons (Brando in Streetcar)

Marlon Brando in Streetcar

Marlon Brando played Stanley in the original Broadway production, and in the 1951 film adaptation of the play, he set the standard for all future Stanleys. His despairing “Stellllaaaa” echoed around cinemas and lodged in the minds of filmgoers forever, when drunk, sweat-soaked and half-dressed, he stumbled onto the sidewalk and fell to his knees, bellowing for his wife, “Stellllaaaa, I want my baby down here” – probably the most famous line from any of Williams’ plays. Little did anyone guess then, that this angst-ridden howl would one day become a feature of one of the USA’s Literary Festivals.

What Happens During the Literary Festival

Events like the Stella Shouting Contest, theatre productions, in-depth writing workshops, and lectures from best-selling authors on everything from scene-setting to stereotypes in fiction attract attendees from all over the world. Giants from the world of literature and theatre mingle with would-be-playwrights and authors to offer advice, give talks and join in the celebrations, all overlain with that N’awlins easy charm.

What Happens in the Stanley Shouting Contest

The famous scene, and the scream, is replayed again and again by men who come to The Big Easy to test their screams against other men. Technically it’s a Stanley/Stella shouting contest as females can also take part, but as Stella didn’t yell “Stanley” it doesn’t resonate with the public in quite the same way so there are few entries on the Stella side.

Photo credit: Tennessee Williams Literary Festival

Standing beneath the filagreed balconies of the houses around the green oasis of Jackson Square the contestants direct their howls of desire and angst at local actors attired as Stella and Blanche on a balcony above. Celebrity judges lounge on adjoining balconies, while festival go-ers, voodoo hustlers and tarot card readers jostle for positions from which to watch the fun.

One by one the contestants give it their best shot in the allotted three shouts in which they must portray Stanley’s despair, rage and emotion. They fall to their knees, tear their shirts – the iconic torn white tee-shirt is a given – and douse themselves with water to conjure up the image of Stanley’s sweat-soaked torso.

To whoops and cheers, six finalists are selected and they go on to compete, a few hours later, on the main stage of Le Petit Theatre, the venue for the Festival’s workshops, play readings and lectures. We, the onlookers and audience, troop in after them, by now having a favourite to encourage in the tension-filled finals.

Interior of Le Petit Theatre

On the stage at Le Petit, the Stanleys now scream with more gusto and histrionics, encouraged by their fans in the crowd. Hyped up – alcohol may play a part as well – cheering for their man and booing the opposition, the audience sounds as primal as Stanley.

All this for the grand prize of the Golden Stella Trophy, holidays in New Orleans, hampers of local goodies, and trips on Ole Miz, the muddy brown Mississippi.

Interior Courtyard of Le Petit Theatre by David Ohmer, creative commons.org/licenses/by/2.0 via Wikimedia Commons

Few Festivals have such a strong performance element as the Tennessee Williams Literary Festival – two full-length plays and several one-act plays of the master are usually staged alongside film screenings, tours of the French Quarter, book signings, and jazz evenings. All this plus work-shops and lectures from writers like David Simon, James Lee Burke, Richard Ford, Laura Lipman, and dozens of others. You’re bound to meet your favourite author there and for some reason, crime writers are particularly well represented.

Tennessee Williams – Photo: Orlando Fernandez, World Telegraph staff photographer, via Wikimedia Commons

New Orleans

The Big Easy still lives up to its motto of ‘Laissez les bon temps rouler’ – let the good times roll – and outside the theatre the city goes about its business, partying along Bourbon Street and entertaining the tourists in Jackson Square where the voodoo priestesses, hawkers of hats and beads, and groups of wild looking Cajun and Zydeco musicians straight from central casting come together in a gloriously chaotic, laid-back cocktail.

There are also city tours, swamp tours, plantation tours, and that old standby, shopping, and that for which New Orleans is best known – music – from trad jazz to funk, zydeco to gospel. While there you can take in a session with one of the city’s best bands, Jon Cleary and the Monster Gentlemen Band, who will take you on a jazz voyage like you’ve never had before.

St. Louis Cathedral, New Orleans, the oldest continuous use cathedral in the USA.

So if you’re in the area next March and fancy your chances of being a ripped-shirt Stanley with a voice that could persuade Stella not to leave him, then go for it.

Tennessee Williams loved this mixture of the pious and the profane, the sinners and the saints – isn’t that what all his plays are about?

Get ready to party New Orleans style.

Factfile:

The 38th Annual Tennessee Williams/New Orleans Literary Festival took place this year between March 20th—24th. Next year’s dates not yet published. Sign-up for the Stella Shouting Contest will begin at 1.30 3 or 4 days prior to the opening.

The Tennessee Williams Literary Festival: 938 Lafayette Street, Suite 513, New Orleans, Louisiana 70113. Tel: 504 581 1144. info@tennesseewilliams.net


British Airways flies direct to New Orleans from £575 Return and also offers hotel bookings. Other airlines fly via Chicago – a good place for a stop-off.

Me, and President Joe Biden in Carlingford

Carlingford, Co. Louth, Ireland

After too long an absence from WP due to health problems, I was struggling to find a subject to write about, or more exactly, a place to write about.  Travel’ to me has always been about places away from home, so local sights didn’t inspire me.

Then along came US President, Joe Biden, who, last week visited Carlingford in Co. Louth, Ireland, and my memory flew back to my day spent there on a Leprechaun hunt way back in the late nineties.    My photographs are quite old and the place may have changed in the intervening years but I have been told that the changes are minor.

Carlingford and the Cooley Mountains

My story started in the border town of Newry, where I’d been watching television in a pub with some friends, about 1996-7 I reckon. A local farmer appeared on the screen, maybe on the local news, with an extraordinary tale.  I can’t remember exactly what was said from this point in time, but I’ll try and paraphrase what I can recall.

He held up a finger and thumb about 2 inches apart, “It was about this height” he said, “the usual colours, green top and red trousers”.

The interviewer nodded, “I see” he said, “so, you were bringing the cattle home, there was a sudden blinding flash and then ….”?

“Well, I rushed up to where the lights had been but there was nothing there, nothing at all – but, “he continued, “the ground round about was all charred and in the centre was the wee suit.  And this”.  And he produced some charred paper from his pocket.  “Fairy money”.

The pub had been quiet while he’d been talking: now all eyes were on the TV as we leaned forward the easier to see this remarkable money.  A communal expiration of breath broke the tension and nods were exchanged among those who knew the habits of the leprechauns. 

House in Carlingford

“Well,” said the old man in the corner “there’s proof enough.  That’s fairy money to be sure.   You’ve seen it with your own eyes on the TV.  That leprechaun dissolved himself but the clothes didn’t burn, so, he’ll be back for them”.

“Wouldn’t you know they’d do something devilish” said my host Finbar.  “Your wee man came in over the border and the price of a jar there is twice what it is here.  But sure, we’ll go and have a look for him. 

There are fairies at the bottom of virtually every garden in Ireland, especially in the area of the Mourne and the Cooley Mountains.  Their habitats are easy to see – trees standing in isolation in the middle of fields, there because the farmer will not cut a fairy tree down because of the resultant bad luck that would come from such destruction. They seem forlorn but are held in warm affection even by the farmers whose planting they interrupt and around which he has to manoeuvre the harvesting machinery.

It’s not generally known that as well as their positive image of keepers of the pot of gold at the end of the rainbow, the negative side of leprechauns is their malevolent nature.  They have been known to bring terrible misfortune to those who have injured their trees, dealing out punishments that range from breaking legs and tipping people down wells to causing the death of farm animals and (for minor offences) ensuring the bread doesn’t rise.  They can be merely mischievous at times, and can cause the loss of a bicycle, or a shoe, or even make someone lose their way home from the pub.  It all depends on the perceived offence. 

The expedition to look for the leprechaun had to be postponed until Sunday to enable as many people as possible to take part.  Time was also needed for individual families to get their supplies together, for there’s no point having a leprechaun hunt that’s not convivial.    Picnic baskets had to be prepared, the refreshments purchased and carefully packed – soft drinks for the children, something stronger for the adults.

Mountains right behind the houses and the sea in front – Carlingford

It was a happening in the best sense of the word.  No one organized it, no one directed it.  It just seemed that on Sunday afternoon a mass exodus took place from the town.  Some travelled by car, some by bicycle, some on foot, crossing the border that divides Ulster from the rest of the island of Ireland at different points, to the confusion of the British Army surveillance helicopters overhead (this was before the Peace Agreement of 1998), as we all made our way towards the small coastal town of Carlingford, the area of the leprechaun sighting.

We joined the walking party which was in spirited mood well before we set off.  Ballads and folk songs were sung as we ambled along.  One or two had brought the flutes and pipes with them and there were a couple of fiddlers in the crowd who would provide the music for a ceili when we got there.   Those who had already broached the Bushmills and the Guinness were in a rare mood to sing and occasionally had to be persuaded to rejoin the walk, as they were inclined to fall out and give solo renditions of “Sweet Sixteen” or “Danny Boy” as the spirits took them.

And then we were there.  The spot where the wee man himself had disappeared in a puff of smoke.  But we weren’t the first to arrive.  The travelling people had got there earlier along with stall-holders, ice-cream sellers and hot-dog salesmen.  The white heather that grows wild and which we had been walking on as we trekked across the mountain was now ‘Lucky White Heather’ and on offer at only 50p a sprig.  Ice-cream was only twice what it normally cost and for an undisclosed sum, one of the gypsy fortune-tellers would divulge the true path to the leprechaun’s hideout.

But the most popular stall was that selling butterfly nets.  Large ones, small ones, some that looked as though they’d already spent a summer shrimping, they were all grabbed up quickly.  How else would you catch a leprechaun but with a butterfly net?  Then in groups, for who would be alone on a day like this, we set off to snare the elusive one.

Narrowater, just outside Carlingford, Northern Ireland on the left and he Republic of Ireland on the right, separated by the Lough.

I gave up after about half an hour as the tantalising sounds of the ceili taking place at the bottom of the hill was calling me.  I’d leave the wee man to the local people I decided, after all, he mightn’t like a foreigner being the one to snare him and I didn’t want a broken leg!

At ‘base camp’ more people had arrived and a grand party was a progress.  The fiddlers had been joined by an accordionist and the dancing was in full swing.  Groups of people had laid out their food and drink and the picnic was well under way.  Now and then a shout from above would create a bit of excitement but as the afternoon wore on, the consensus was that the leprechauns had fooled us all again.

“He’s around, never you fear” said Finbar as we packed up to go home.  “They can hide under a blade of grass when they like and as he hasn’t got a suit, he’ll be well hidden the day.   Anyway, wasn’t it the grand time we had”?

“But we didn’t catch the leprechaun” I said.

He looked at me with a smile.  “But, we got a brave bit of craic, and we had the singin’ and dancin’.  Sure, the fairies gave us a grand day altogether”.

An Irish pub in Carlingford

I’ve still got my butterfly net.  It lives in my garden shed, a treasure from that day spent in the mountains that surround the little town of Carlingford in Ireland.   I wonder if Joe Biden’s memories will be as vivid as mine as he looks back on his day in the village nestled in the Cooley mountains on the banks of Carlingford Lough.  Somehow, I don’t think so, but I’m sure he had a wonderful time, because I remember Carlingford as being one of the most welcoming towns in Ireland, the country of a hundred thousand welcomes.

ONE WORD SUNDAY – FAME

Debbie’s theme word today is Fame.

I suddenly realised I knew a few famous people in the jazz world so digging deep down I came up with these two.

  1. First up is the great Adelaide Hall and a photograph that I think was taken sometime in the 1970’s on a visit to her flat in London. She was a lovely lady.
Adelaide Hall

2. For the next one I go further back, to the late 1950’s when I was on holiday in the Netherlands with Britain’s own Beryl Bryden who sang with most of the UK jazz bands and the top Continental groups, especially the Dutch Swing College Band and the Fatty George Band in Germany. In the UK, apart from the many bands she worked with, she played washboard on Lonnie Donegan’s famous Rock Island Line, the first skiffle success.

Their fame never rubbed off on me but their friendship was valued.

Beryl Bryden & Mari in Holland (Beryl was working with the Dutch Swing College at the time

Link to One Word Sunday at Debbie’s  here

The Godfather in Savoca

Al Pacino

Excitement is high among fans of The Godfather trilogy, with the release of the newly re-mastered films, three movies that are Shakespearean in drama, operatic, and complex. As one of those fans I delved into my archives to search for photographs I took in Savoca, location of a few major scenes of The Godfather, and a reminder of one of those serendipitous moments that occur from time to time in one’s travels.

A shady spot at the Bar Vitelli

It was in Sicily, about 30 years ago, when we came across Savoca, a medieval village perched on a hill overlooking the Ionian coast. We had driven through the mountains from Taormina, stopping here and there to admire villages clinging to the sides of the mountains and blue seas far below on which floated toy boats. We pulled into Piazza Fossia, saw a parking place opposite a pleasant looking bar with terrace which meant we could sit outside rather than in the inky black interiors preferred by the Sicilians, and entered Bar Vitelli.

The Bar Vitelli

We ordered drinks, and the owner graciously waved me inside to see what else was available.  What she really wanted me to see was her wall of photographs of the stars of The Godfather and various artifacts to do with the film.  Most were of Marlon Brando – although he was never in Savoca for filming – Al Pacino, Simonetta Stefanelli, who played Apollonia in the film, and James Caan. 

Then I made the connection.  This was the small, cliff-side café where Michael Corleone (Al Pacino) sat with his two bodyguards (one of whom would later betray him) and drank wine. In fact, this small patio with the dappled sunlight playing on the tables, was the location of several scenes filmed over a six-week period during the shooting of the first Godfather movie. 

Michael Corleone (Al Pacino) had fled New York City to escape both police and the Mafia and came to Sicily to take refuge. Out hunting one day, he saw a beautiful Sicilian girl and immediately fell in love with her.

Back room of Bar Vitelli with photographs and connections to The Godfather

The Bar Vitelli, as it is now, was actually the home of the beautiful young girl he’d seen, and it is here he asks the café owner for permission to court his daughter, the lovely Apollonia (Simonetta Stefanelli). A later scene, depicting a traditional Italian family Sunday dinner and a still later scene of the eventual outdoor wedding reception, was also staged on the terrace of the Bar Vitelli and in the tiny piazza in front.

La Signora watched me carefully and when she could see that I was suitably impressed with the display she sat me down and told me tales of what it was like when she had Pacino and Brando in her café.  Of course, I knew that Brando had never been there but everyone’s allowed a little bit of licence and in that small village of less than 100 inhabitants, The Godfather had sprinkled a little bit of its magic on both the village and the Bar Vitelli. 

La Signora sits outside Bar Vitelli.

Savoca owes it’s connection to Hollywood to the fact that Francis Ford Coppola thought that Corleone, a town near Palermo and the book’s setting for The Godfather, looked too modern for his vision of the Sicilian village from which the family came. After much searching throughout the island, he found two small villages untouched by modernisation for his locations, – Savoca and Forza d’Agro.

At the time we were there, few tourists visited this remote village so La Signora was happy to spend time talking to us and showing us some more pictures of the stars of The Godfather, plus some newspaper cuttings she’d collected.

Back room of Bar Vitelli

I never got back to Bar Vitelli but I saw a short film a while back that showed it looking exactly as it had been when I visited, and as it was in the film – right down to the bead curtain in the doorway.  La Signora is no longer alive and the bar/restaurant is now successfully run by her descendants: Godfather tours (along with Montelbano tours) are now big business in Sicily, and Savoca is a port of call on the trail. 

It was nice to know that it hadn’t been commercialised at all and that the stone-flagged walls covered in greenery and the terrace with vine covered pergolas, still offer shade to travellers, along with coffee granita, supposedly the favourite drink of both Pacino and Coppola when they were there.

When I watch the 3-hour long film again on March 26th, I will be carried back 30 years to when I sat on Al Pacino’s chair in Bar Vitelli and heard first-hand from la Signora that, although Pacino may have come from New York, he was molto Siciliano.

This was the prettiest house we saw in Savoca, and we were told it belonged to someone very important. I wonder who it belongs to today?

  1.  In Savoca, apart from Bar Vitelli, the nearby Church of San Nicola was used as a location for the wedding of Michael Corleone and Apollonia. The church is only a short walk from Bar Vitelli.
  2. Bar Vitelli is housed in the 18th century Palazzo Trimarchi, located in the Piazza Fossia, the town’s main square, near the Town Hall.

The Godfather:

The Godfather revolutionized film-making, saved Paramount Pictures from Bankruptcy, minted a new generation of movie stars, and made the author of the book, Mario Puzo, rich and famous.  It is compelling, dramatic, and complex and it started a war between Hollywood and the high echelons of the Mob as the makers had to contend with the real-life members of the Mafia.  Location permits were withdrawn without notice at inconvenient times, Al Ruddy’s car was found riddled with bullets, and ‘connected’ men insisted on being in the cast (some were given film roles, whether due to threats or talent nobody knows)!

Dante Alighieri: 1321-2021

This year Italy celebrates the 700th anniversary of Dante Alighieri’s death, a genius born in Florence but whose remains now lie in Ravenna. The poet found Ravenna to be the ideal place to complete The Divine Comedy and as the home of his burial, the city has been preserving Dante’s memory for seven centuries since his death in 1321. How his bones came to be in that city of glorious mosaics is quite a story.

Dante Alighieri: Photo by Rhodan59 via Pixabay

Although his name will be forever associated with Florence, the city of his birth, when he died in 1321 he had been an exile living outside that city for some 20 years. He had been exiled for life by the Florentines themselves after being on the losing side in a local fight for control of the city. Despite offers to return home, Dante defiantly refused to do so, regarding the terms as unjust.

Ravenna has the world’s most important Byzantine mosaics, a glittering jewel-box of 5th and 6th century art, described by Dante as being “of the sweet color of Oriental sapphires.”

Tomb of Dante Aligheri in Ravenna

He had been invited by Ravenna’s ruler to settle there and he had been a resident of the city for 3 years when he died, aged 56, already a major figure in the world of letters. He was buried outside the cloisters of the church of San Pier Maggiore (now the Basilica di San Francesco) in a Roman marble sarcophagus where it remained for the next 160 years as his reputation in Europe continued to grow. 

The Cloisters

It is said that it was the lectures in praise of Dante given by fellow poet Boccaccio (who followed Dante’s precedent and wrote in the vernacular instead of Latin) which caused the Florentines to re-think their loss, and seventy-five years after Dante’s death Florence made the first of many requests for the return of his body. Ravenna said no!   In 1430 Florence tried again, and again in 1476, but got the same firm “No” as an answer.  Meantime, the sarcophagus was moved to the other side of the cloister and a sculptor was commissioned to make a marble bas-relief of the poet at work.

View to the Cloisters from the tomb

Florence, now a very powerful city, took umbrage. It was 1513 and Giovanni di Lorenzo de’ Medici had just became Pope Leo X giving the Medici family the ultimate authority in the Christian world. Using the most powerful weapon in his authority, he issued a Papal Decree and demanded the return of Dante’s remains. Ravenna ignored the Decree. 

After this last attempt by Florence, Ravenna then moved the remains inside the cloisters for safe-keeping where they were guarded by the monks for another 150 years. We know from a note left by a friar named Antonio Santi that on October 18th, 1677, he put the remains into a wooden casket and it was recorded in 1692 that workers carrying out repairs on the sarcophagus were supervised by armed guards to make sure nothing was stolen.

The tomb with bas relief

Dante’s reputation continued to grow over the ensuing centuries and in the late 18th century Ravenna decided to give Dante a more imposing tomb, to which end they commissioned a local architect to erect a small neoclassical mausoleum. This was lined with marble and topped with a dome to house the original sarcophagus and 15th-century bas-relief: it was completed in 1781.

In 1805, a new threat appeared from France in the shape of Napoleon who had declared himself “Emperor of the French and King of Italy”. Ravenna fell under Napoleon’s rule and as his armies looted their way through religious orders up and down the region, the friars were forced to abandon their monastery. But first they made sure that the poet’s remains didn’t become war spoils. After less than 30 years in his new mausoleum Dante’s remains were gathered up and put back in the wooden chest in which they’d spent most of the 18th century and in 1810 they were hidden in a wall of the chapel. Then the friars fled, forgetting to tell anyone what they’d done or where to find the bones, so that right up to the middle of the 19th century, pilgrims continued to visit Ravenna to pay homage to the poet, not realizing that the mausoleum was empty. 

There are many Via Dante Alighieri’s in Italy and he spent many years of his exile in Verona where he was a guest of the tyrannical del Scaligeri family. Many other countries also welcomed the poet, because, like Shakespeare, his work is universal. This street sign however, is in Ravenna, the city in which he choose to live for most of his exile.

The remains, hidden inside the wall, might have remained there had they not been discovered by a worker at the basilica in 1865.  Of equal, if not more, importance, was the fact that someone spotted the note first put in the casket with the bones and labelled “Dantis ossa” (“Dante’s bones”). On examining the bones, doctors pronounced them to be the almost intact skeleton of an older man between 165-170 centimetres tall, and so they were accepted as the remains of one of the greatest writers of all time.

At last the bones, now in a heavy wooden casket lined with lead, could be placed in the mausoleum in Ravenna, the city that had opened its doors to the exile and where the poet wanted to be laid to rest.

Portrait of Dante. Credit: Photo by Gordon Johnson via Pixabay

But rest for Dante was still not possible because World War II was now raging over Europe. In 1944 Northern Italy was occupied by the Germans, and the Allies were bombing day and night.  Once more the poet’s bones had to be moved: this time they were buried in the garden of the basilica, where they remained until hostilities ceased. Finally, on December 19th, 1945, Dante was taken back to his Ravenna mausoleum.

Florence has given up seeking the return of its famous son and in a gesture of friendship, the city sends local Tuscan olive oil each year to burn in the lamp that lights Dante’s mausoleum.